HomeParis Untold StoriesThe Oldest Clock in Paris Still Keeping Time After 650 Years

The Oldest Clock in Paris Still Keeping Time After 650 Years

Why add this to your Paris itinerary? Because this isn’t just a clock—it’s a piece of history that has measured time for over 650 years. The Tour de l’Horloge, perched on the Conciergerie since 1371, is the oldest public clock in Paris, a silent witness to centuries of change.

A Medieval Marvel in the Heart of Paris

Conciergerie, Paris

Our adventure begins on the ÃŽle de la Cité, at the northeastern corner of the Palais de Justice. Here stands the majestic Tour de l’Horloge, a clock tower that has been marking time for Parisians since the 14th century. This historic structure, part of the Conciergerie, serves as a time capsule from the medieval era.

Commissioned by King Jean II, known as Jean le Bon, the tower was built between 1350 and 1353 on what was once a marshy plot of land. Initially, it functioned as a watchtower for palace security, and its bell signaled significant events, such as the death of a king or the dauphin. Imagine the weight of history behind each toll of that bell!

The Clock That Changed It All

In 1370, the tower was fitted with Paris’s first public clock, crafted by Lorraine clockmaker Henri de Vic. Before its installation, Parisians relied on sundials or church bells to tell time. This groundbreaking addition transformed the city’s daily life. By 1371, the clock was accompanied by a silver bell, and in 1418, city authorities mandated an external dial so that everyone could keep track of time, day and night.

Over the centuries, the clock underwent multiple restorations. In 1585, King Henri III commissioned a new dial, framed by two grand allegorical figures representing Law and Justice, sculpted by Germain Pilon. These statues have been meticulously restored multiple times, with the most recent restoration completed in 2012.

The Hour of Justice: A Royal Commission

Tour de l'Horloge du Palais de la Cité, Paris

By the time Henri III ascended the throne, the French royal palace had not been located on the Île de la Cité for two centuries. However, the seat of justice remained. The present-day Palais de Justice stands as a testament to the continuity of judicial power at this historic location. Recognizing this legacy, Henri III decided to adorn the clock with allegorical figures symbolizing Justice, wielding a sword and scales, and Law, holding the hand of justice and a tablet inscribed to signify that earthly law is grounded in divine law. These sculptures were the work of Germain Pilon.

The Latin inscription in the upper cartouche declares, “QUI DEDIT ANTE DUAS TRIPLICEM DABIT ILLE CORONAM” (“He who has already given two crowns will give a third”), referencing Henri III’s past reign as King of Poland before becoming King of France. The two crowns of France and Poland appear alongside the fleur-de-lis, with the celestial crown symbolizing divine authority.

In the lower cartouche, the clock is likened to a symbol of justice: “MACHINA QUÆ BIS SEX TAM JUSTE DIVIDIT HORAS JUSTITIAM SERVARE MONET LEGES QUE TUERI” (“This machine, which divides the hours into twelve equal parts, teaches to protect Justice and defend the laws”).

The Intricate Details

A closer look at the clock’s design reveals its artistic splendor. The current dial, restored to its original glory, is square-shaped with a diameter of one and a half meters. Golden rays radiate against a deep blue background adorned with fleurs-de-lis. The hands are made of repoussé and bronzed copper, with the minute hand shaped like a spear and the hour hand ending in a fleur-de-lis, counterbalanced by a crescent-shaped counter-hand. It’s a masterpiece in motion!

The dial is surrounded by two allegorical figures, with Law depicted on the left and Justice on the right. This placement serves as a reminder of the clock’s historical role in reinforcing the presence of judicial authority at the Palais de Justice.

A Touch of Royal Drama

Beneath the small roof housing the dial, an intriguing detail adds a layer of mystery. Intertwined initials—”H” and “C” for Henri II and Catherine de Medici, and “H” and “M” for Henry and Marguerite de Valois—are said to secretly form the letter “D,” possibly referencing Diane de Poitiers, Henri II’s mistress. Others believe it symbolizes the emblem of the House of Orléans. The whispers of royal intrigue endure through the centuries.

A Living Piece of History

The Tour de l’Horloge has undergone several restorations to maintain its medieval charm, with the most recent one completed in November 2012. Restorers meticulously revived the clock’s gilding, repainted the blue background with fleurs-de-lis, and ensured its historical authenticity using the oldest available documents.

So, next time you find yourself strolling through the Île de la Cité, be sure to look up and admire this timeless masterpiece.

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